24 July 1871 – 30 July 1871

So long as a man is capable of self-renewal he is a living being. Goethe, Schleiermacher and Humboldt, were masters of the art. If we are to remain among the living there must be a perpetual revival of youth within us, brought about by inward change and by love of the Platonic sort. The soul must be forever recreating itself, trying all its various modes, vibrating in all its fibres, raising up new interests for itself.... The “Epistles” and the “Epigrams” of Goethe which I have been reading to-day do not make one love him. Why? Because he has so little soul. His way of understanding love, religion, duty, and patriotism has something mean and repulsive in it. There is no ardor, no generosity in him. A secret barrenness, an ill-concealed egotism, makes itself felt through all the wealth and flexibility of his talent. It is true that the egotism of Goethe has at least this much that is excellent in it, that it respects the liberty of the individual, and is favorable to all originality. But it will go out of its way to help nobody; it will give itself no trouble for anybody; it will lighten nobody else’s burden; in a word, it does away with charity, the great Christian virtue. Perfection for Goethe consists in personal nobility, not in love; his standard is aesthetic, not moral. He ignores holiness, and has never allowed himself to reflect on the dark problem of evil. A Spinozist to the core, he believes in individual luck, not in liberty, nor in responsibility. He is a Greek of the great time, to whom the inward crises of the religious consciousness are unknown. He represents, then, a state of soul earlier than or subsequent to Christianity, what the prudent critics of our time call the “modern spirit;” and only one tendency of the modern spirit—the worship of nature. For Goethe stands outside all the social and political aspirations of the generality of mankind; he takes no more interest than Nature herself in the disinherited, the feeble, and the oppressed.... The restlessness of our time does not exist for Goethe and his school. It is explicable enough. The deaf have no sense of dissonance. The man who knows nothing of the voice of conscience, the voice of regret or remorse, cannot even guess at the troubles of those who live under two masters and two laws, and belong to two worlds—that of nature and that of liberty. For himself, his choice is made. But humanity cannot choose and exclude. All needs are vocal at once in the cry of her suffering. She hears the men of science, but she listens to those who talk to her of religion; pleasure attracts her, but sacrifice moves her; and she hardly knows whether she hates or whether she adores the crucifix. Later.—Still re-reading the sonnets and the miscellaneous poems of Goethe. The impression left by this part of the “Gedichte” is much more favorable than that made upon me by the “Elegies” and the “Epigrams.” The “Water Spirits” and “The Divine” are especially noble in feeling. One must never be too hasty in judging these complex natures. Completely lacking as he is in the sense of obligation and of sin, Goethe nevertheless finds his way to seriousness through dignity. Greek sculpture has been his school of virtue.