30 August 1841 – 5 September 1841

What is a day, if the day's work be not done? What are the divisions of time to them who have nothing to do? What is the present or the future to him who has no occasion for them, who does not create them by his industry?

When I observe the effeminate taste of some of my contemporaries in this matter of poetry, and how hardly they bear with certain incongruities, I think if this age were consulted it would not choose granite to be the backbone of the world, but Bristol spar or Brazilian diamonds. But the verses which have consulted the refinements even of a golden age will be found weak and nerveless for an iron one. The poet is always such a Cincinnatus in literature as with republican simplicity to raise all to the chiefest honors of the state. Each generation thinks to inhabit only a west end of the world, and have intercourse with a refined and civilized Nature, not conceiving of her broad equality and republicanism. They think her aristocratic and exclusive because their own estates are narrow. But the sun indifferently selects his rhymes, and with a liberal taste weaves into his verse the planet and the stubble. Let us know and conform only to the fashions of eternity.

There is but one obligation, and that is the obligation to obey the highest dictate. None can lay me under another which will supersede this. The gods have given me these years without any incumbrance; society has no mortgage on them. If any man assist me in the way of the world, let him derive satisfaction from the deed itself, for I think I never shall have dissolved my prior obligations to God. Kindness repaid is thereby annulled. I would let his deed lie as fair and generous as it was intended. The truly beneficent never relapses into a creditor; his great kindness is still extended to me and is never done. Of those noble deeds which have me for their object I am only the most fortunate spectator, and would rather be the abettor of their nobleness than stay their tide with the obstructions of impatient gratitude. As true as action and reaction are equal, that nobleness which was as wide as the universe will rebound not on him the individual, but on the world. If any have been kind to me, what more do they want? I cannot make them richer than they are. If they have not been kind, they cannot take from me the privilege which they have not improved. My obligations will be my lightest load, for that gratitude which is of kindred stuff in me, expanding every pore, will easily sustain the pressure. We walk the freest through the air we breathe.

Next to Nature, it seems as if man's actions were the most natural, they so gently accord with her. The small seines of flax or hemp stretched across the shallow and transparent parts of the river are no more intrusion than the cobweb in the sun. It is very slight and refined outrage at most. I stay my boat in mid-current and look down in the running water to see the civil meshes of his nets, and wonder how the blustering people of the town could have done this elvish work. The twine looks like a new river-weed and is to the river like a beautiful memento of man, man's presence in nature discovered as silently and delicately as Robinson discovered that there [were] savages on his island by a footprint in the sand.

I think I could write a poem to be called "Concord." For argument I should have the River, the Woods, the Ponds, the Hills, the Fields, the Swamps and Meadows, the Streets and Buildings, and the Villagers. Then Morning, Noon, and Evening, Spring, Summer, Autumn, and Winter, Night, Indian Summer, and the Mountains in the Horizon.

Barn. Greater is the depth of sadness Than is any height of gladness. I cannot read much of the best poetry in prose or verse without feeling that it is a partial and exaggerated plaint, rarely a carol as free as Nature's. That content which the sun shines for between morning and evening is unsung. The Muse solaces herself; she is not delighted but consoled. But there are times when we feel a vigor in our limbs, and our thoughts are like a flowing morning light, and the stream of our life without reflection shows long reaches of serene ripples. And if we were to sing at such an hour, there would be no catastrophe contemplated in our verse, no tragic element in it, nor yet a comic. For the life of the gods is not in any sense dramatic, nor can be the subject of the drama; it is epic without beginning or end, an eternal interlude without plot,—not subordinate one part to another, but supreme as a whole, at once leaf and flower and fruit. At present the highest strain is Hebraic. The church bell is the tone of all religious thought, the most musical that men consent to sing. In the youth of poetry, men love to praise the lark and the morning, but they soon forsake the dews and skies for the nightingale and evening shades. Without instituting a wider comparison I might say that in Homer there is more of the innocence and serenity of youth than in the more modern and moral poets. The Iliad is not Sabbath but morning reading, and men cling to this old song, because they have still moments of unbaptized and uncommitted life which give them an appetite for more. There is no cant in him, as there is no religion. We read him with a rare sense of freedom and irresponsibleness, as though we trod on native ground, and were autochthones of the soil.