20 February 1645 – 26 February 1645

I went, as was my usual custom, and spent an afternoon in Piazza Navona, as well as to see what antiquities I could purchase among the people who hold market there for medals, pictures, and such curiosities, as to hear the mountebanks prate and distribute their medicines. This was formerly the Circus, or Agonales, dedicated to sports and pastimes, and is now the greatest market of the city, having three most noble fountains, and the stately palaces of the Pamfilii, St. Giacomo de Spagnoli belonging to that nation, to which add two convents for friars and nuns, all Spanish. In this Church was erected a most stately catafalco, or capellar ardente, for the death of the Queen of Spain; the church was hung with black, and here I heard a Spanish sermon, or funeral oration, and observed the statues, devices, and impresses hung about the walls, the church and pyramid stuck with thousands of lights and tapers, which made a glorious show. The statue of St. James is by Sansovino; there are also some good pictures of Caracci. The facciáta, too, is fair. Returning home, I passed by the stumps of old Pasquin, at the corner of a street, called Strada Pontificia; here they still paste up their drolling lampoons and scurrilous papers. This had formerly been one of the best statues for workmanship and art in all the city, as the remaining bust does still show.

I walked in the morning up the hill toward the Capuchins, where was then Cardinal Unufrio (brother to the late Pope Urban VIII.) of the same order. He built them a pretty church, full of rare pictures, and there lies the body of St. Felix, that they say still does miracles. The piece at the great altar is by Lanfranc. It is a lofty edifice, with a beautiful avenue of trees, and in a good air. After dinner, passing along the Strada del Corso, I observed the column of Antoninus, passing under Arco Portugallo, which is but a relic, heretofore erected in honor of Domitian, called now Portugallo, from a Cardinal living near it. A little further on the right hand stands the column in a small piazza, heretofore set up in honor of M. Aurelius Antoninus, comprehending in a basso-relievo of white marble his hostile acts against the Parthians, Armenians, Germans, etc; but it is now somewhat decayed. On the summit has been placed the image of St. Paul, of gilded copper. The pillar is said to be 161 feet high, ascended by 207 steps, receiving light by fifty-six apertures, without defacing the sculpture. At a little distance, are the relics of the Emperor's palace, the heads of whose pillars show them to have been Corinthian. Turning a little down, we came to another piazza, in which stands a sumptuous vase of porphyry, and a fair fountain; but the grace of this market, and indeed the admiration of the whole world, is the Pantheon, now called S. Maria della Rotonda, formerly sacred to all the Gods, and still remaining the most entire antiquity of the city. It was built by Marcus Agrippa, as testifies the architrave of the portico, sustained by thirteen pillars of Theban marble, six feet thick, and fifty-three in height, of one entire stone. In this porch is an old inscription. Entering the church, we admire the fabric, wholly covered with one cupola, seemingly suspended in the air, and receiving light by a hole in the middle only. The structure is near as high as broad, viz, 144 feet, not counting the thickness of the walls, which is twenty-two more to the top, all of white marble; and, till Urban VIII. converted part of the metal into ordnance of war against the Duke of Parma, and part to make the high altar in St. Peter's, it was all over covered with Corinthian brass, ascending by forty degrees within the roof, or convex, of the cupola, richly carved in octagons in the stone. There are niches in the walls, in which stood heretofore the statues of Jupiter and the other Gods and Goddesses; for here was that Venus which had hung in her ear the other Union that Cleopatra was about to dissolve and drink up, as she had done its fellow. There are several of these niches, one above another for the celestial, terrestrial, and subterranean deities; but the place is now converted into a church dedicated to the Blessed Virgin and all the Saints. The pavement is excellent, and the vast folding-gates, of Corinthian brass. In a word, it is of all the Roman antiquities the most worthy of notice. There lie interred in this Temple the famous Raphael di Urbino, Perino del Vaga, F. Zuccharo, and other painters. Returning home, we pass by Cardinal Cajetan's Palace, a noble piece of architecture of Vincenzo Ammanatti, which is the grace of the whole Corso.

I went to Trinitá del Monte, a monastery of French, a noble church built by Louis XI. and Charles VIII., the chapels well painted, especially that by Zaccara da Volterra, and the cloister with the miracles of their St. Francis de Paulo, and the heads of the French Kings. In the pergolo above, the walls are wrought with excellent perspective, especially the St. John; there are the Babylonish dials, invented by Kircher, the Jesuit. This convent, so eminently situated on Mons Pincius, has the entire prospect of Campus Martius, and has a fair garden which joins to the Palazzo di Medici.

I went to hear a sermon at St. Giacomo degli Incurabili, a fair church built by F. da Volterra, of good architecture, and so is the hospital, where only desperate patients are brought. I passed the evening at St. Maria del Popolo, heretofore Nero's sepulchre, where his ashes lay many years in a marble chest. To this church joins the monastery of St. Augustine, which has pretty gardens on Mons Pincius, and in the church is the miraculous shrine of the Madonna which Pope Paul III. brought barefooted to the place, supplicating for a victory over the Turks in 1464. In a chapel of the Ghisi, are some rare paintings of Raphael, and noble sculptures. Those two in the choir are by Sansovino, and in the Chapel de Cerasii, a piece of Caravaggio. Here lie buried many great scholars and artists, of which I took notice of this inscription: "Hospes, disce novum mortis genus; improba felis, Dum trahitur, digitum mordet, et intereo." Opposite to the facciátæ of the church is a superb obelisk full of hieroglyphics, the same that Sennesertus, King of Egypt, dedicated to the Sun; brought to Rome by Augustus, erected in the Circus Maximus, and since placed here by Pope Sextus V. It is eighty-eight feet high, of one entire stone, and placed with great art and engines by the famous Domenico Fontana. Hence, turning on the right out of the Porto del Popolo, we came to Justinian's gardens, near the Muro Torto, so prominently built as threatening every moment to fall, yet standing so for these thousand years. Under this is the burying place for the common prostitutes, where they are put into the ground, sans ceremonie.

We walked to St. Roche's and Martine's, near the brink of the Tiber, a large hospital for both sexes. Hence, to the Mausoleum Augusti, between the Tiber and the Via Flaminia, now much ruined, which had formerly contended for its sumptuous architecture. It was intended as a cemetery for the Roman Emperors, had twelve ports, and was covered with a cupola of white marble, environed with stately trees and innumerable statues, all of it now converted into a garden. We passed the afternoon at the Sapienza, a very stately building full of good marbles, especially the portico, of admirable architecture. These are properly the University Schools, where lectures are read on Law, Medicine, and Anatomy, and students perform their exercises. Hence, we walked to the church of St. Andrea della Valle, near the former Theater of Pompey, and the famous Piccolomini, but given to this church and the Order, who are Theatins. The Barberini have in this place a chapel, of curious incrusted marbles of several sorts, and rare paintings. Under it is a place where St. Sebastian is said to have been beaten with rods before he was shot with darts. The cupola is painted by Lanfranc, an inestimable work, and the whole fabric and monastery adjoining are admirable.

I was invited by a Dominican Friar, whom we usually heard preach to a number of Jews, to be godfather to a converted Turk and Jew. The ceremony was performed in the Church of Santa Maria sopra la Minerva, near the Capitol. They were clad in white; then exorcised at their entering the church with abundance of ceremonies, and, when led into the choir, were baptized by a Bishop, in pontificalibus. The Turk lived afterward in Rome, sold hot waters and would bring us presents when he met us, kneeling and kissing the hems of our cloaks; but the Jew was believed to be a counterfeit. This church, situated on a spacious rising, was formerly consecrated to Minerva. It was well built and richly adorned, and the body of St. Catherine di Sienna lies buried here. The paintings of the chapel are by Marcello Venuti; the Madonna over the altar is by Giovanni di Fiesole, called the Angelic Painter, who was of the Order of these Monks. There are many charities dealt publicly here, especially at the procession on the Annunciation, where I saw his Holiness, with all the Cardinals, Prelates, etc., in pontificalibus; dowries being given to 300 poor girls all clad in white. The Pope had his tiara on his head, and was carried on men's shoulders in an open armchair, blessing the people as he passed. The statue of Christ, at the Columna, is esteemed one of the masterpieces of M. Angelo: innumerable are the paintings by the best artists, and the organ is accounted one of the sweetest in Rome. Cardinal Bembo is interred here. We returned by St. Mark's, a stately church, with an excellent pavement, and a fine piece by Perugino, of the Two Martyrs. Adjoining to this is a noble palace built by the famous Bramante.

Ascending the hill, we came to the Forum Trajanum, where his column stands yet entire, wrought with admirable basso-relievo recording the Dacian war, the figures at the upper part appearing of the same proportion with those below. It is ascended by 192 steps, enlightened with 44 apertures, or windows, artificially disposed; in height from the pedestal 140 feet. It had once the ashes of Trajan and his statue, where now stands St. Peter's of gilt brass, erected by Pope Sextus V. The sculpture of this stupendous pillar is thought to be the work of Apollodorus; but what is very observable is, the descent to the plinth of the pedestal, showing how this ancient city lies now buried in her ruins; this monument being at first set up on a rising ground. After dinner, we took the air in Cardinal Bentivoglio's delicious gardens, now but newly deceased. He had a fair palace built by several good masters on part of the ruins of Constantine's Baths; well adorned with columns and paintings, especially those of Guido Reni.